IN A POSITION OF POWER Scene1: A dual kitchen-dining elbow elbow room. The room is sparsely give with stained, threadbare and scattered furniture; an old, unctuous gas stove and chipped cupboards appoint the kitchen and the dining room consists of a low circuit card and a few broken and mismatched chairs. The house has a few bright touches, photographs or paintings, but they are temporary removal crookedly from the walls and the symmetry of the house is a muted, dusty brownish or grey. thither is a young womanhood, Jules, standing by the stove. wing you squirt goddess hear a door slam. Jules gasps, bumps the saucepan she has been stirring onto the decorate and starts to cry. She bend down, visibly shaken, to see if some of the meal can be salvaged. Another door slams and Jules stands up, backs away from the stove and nerve-wracking to reassert herself, leans on the table. Trevor OFFSTAGE (angrily): Where the hell are you woman? (He enters the room and sees the s aucepan spilled on the floor) You think you can make me take form all day and then Ill just meekly scratch down home to no damn dinner? (He kicks the saucepan crossways the room) Jules (through tears, frightened): satisfy stop it Trevor, please...It wasnt my fault, Ill make you something else to eat, Im sorry, just please dont meet me...you dont consume to hurt me.
(She cowers away from Trevor) Trevor (menacing, if slightly unsteady): Dont tell me what I request to do. Youre hopeless woman; you need to learn to please your husband, to clutch me happy! Jules (trying desperately to calm Trevor down, but she knows it wont work): Trevor, darling, youre! drunk. Please, why dont you mould down, relax, and Ill get - Trevor (cutting her sentence off): Relax? How can I relax, when I... If you postulate to get a full essay, order it on our website:
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