The Dynamics in Alfred Hitchcock's Rear Window and Psycho

From the creative mind of Alfred Hitchcock came many a classic film, just two that stand out are the thrillers Rear window and psychotic. These films capture the viewer and create an atmosphere so despoil and fresh that you feel as though you personally discriminate the characters; sometimes you even feel like youre becoming the characters. Although the films fellowship many similarities they some(prenominal) have completely different moods and themes. closely significantly the films can still hold up against todays improbably high-bud get Hollywood movies. A main theme in Rear windowpane is voyeurism, exhibited by Jimmy Stewarts character Jeff Jeffries. The same theme is too present in psycho with Anthony Perkins character Norman Bates, but, extraneous Rear Window, Psycho doesnt use it as the backbone of the plot. Reasons for the appearance differ in the films as well. Jeff Jeffries is confined in his flatbed because of his broken leg so his voyeurism is a result of his tediousness and fueled by his curiosity. Norman Bates has more of an obsession and his means is attributed to his character and not his circumstances. James Griffith put it best in his Film Comment article Psycho: Not guilty as Charged when he said of Psycho, ...

the film disturbs us not because of what it allows us secretly to watch, but because it makes us render the terror of being secretly watched(Griffith 76). According to Cyndy Hendershot in her daybook of universal Film and Television article The Cold contend revulsion Film: Taboo and Transgression in The forged Seed, The Fly, and Ps ycho, Psycho represents Hitchcocks near ex! plicit connection to the horror musical genre and his most blatant attempt to use transgression as both content in a film and as a marketing strategy(Hendershot 20). Although we can regard Psycho as a film of the horror genre... If you want to get a full essay, order it on our website: BestEssayCheap.com

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